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Was I cool enough to hang out on this scene, though, savvy enough to float free of its traps? Ask me today, with the benefit of hindsight, and I will assure you that back then, I was far from qualified. Those "girls like me," that all-knowing "we": They begged me to sing along, so I did.
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I remember hearing these lines the first time, the synths swelling in the background, the beat picking up. "Why are you selling dreams of who you wish you could be?" she scolds in the very first line, putting on blast a nameless "prince in all of the magazines." The coldest read comes at the chorus, though, courtesy of a sisterhood side-eyeing this prince from the corners:īut then there's girls like me who sit appalled by what we've seen And then there were the lyrics, written by White - a rebuke of deceptive images and false idols. At the countless shows we saw Res open for Talib Kweli or Mos Def over the years - me tagging along as my man's plus-one, because my unglamorous gig slapping HTML around website copy could never get us on any guest list - I watched him nod hard to the bass-heavy tracks, and like a good girlfriend, I nodded yes too.īut my favorite - that song I fell for fast - was How I Do's opener, " Golden Boys." I loved its sound - Res' voice alternately sneering and soaring over music that, foreshadowing Santigold's own mashed-up aesthetic, couldn't be pinned as alt- or neo- or whatever prefix you tried to give it. He was a music journalist with bylines in glossies like Vibe and Spin, a Queens-born hip-hop head. I'd managed to get my hands on How I Do months before it was officially out - one perk of dating the man for whom I'd recently moved to New York City. In those early days of 2001, who I did know was her Philly friend Res (a singer whose debut album, it so happens, White largely wrote and produced). Because the way that certain music comes to hold a central place in our lives isn't just a reflection of how we develop our taste, but how we come to our perspective on the world.
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For 2021, we're digging into our own relationships to the records we love, asking: How do we know as listeners when a piece of music is important to us? How do we break free of institutional pressures on our taste while still taking the lessons of history into account? What does it mean to make a truly personal canon? The essays in this series will excavate our unique relationships with the albums we love, from unimpeachable classics by major stars to subcultural gamechangers and personal revelations. Up until now we have focused on overturning conventional, patriarchal best-of lists and histories of popular music. NPR Music's Turning the Tables is a project envisioned to challenge sexist and exclusionary conversations about musical greatness.
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Photo Illustration by Renee Klahr/NPR Getty Images Courtesy of Downtown Records Thank you for visiting, if you find this answers useful, please like our Facebook Fans Page and see you again at the next post update.Santigold's self-titled debut combines "look what I can do" attitude with a galvanizing magic. Kid friendly and funny word puzzle game like Guess the animals, games sweet, pets, fairy tales, and word cookies answers.
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